Season: 3, Episodes: 1, Faction: N/A
Jan and her partner Mike were leaders of a marijuana-growing commune that Locke was a member.
3×03 – Further Instructions
The commune was growing marijuana inside a large white greenhouse. Eddie an undercover police officer was assigned to infiltrate and determine the exact purpose of the fertilizer being used. Originally thinking they were making bombs.
When she discovered who Eddie really was, she showed an explosive temper toward Locke, calling him an idiot while inside they were inside the greenhouse preparing to flee. (“Further Instructions”)
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Like most moon deities, Selene plays a fairly large role in her pantheon, which preceded the Olympic pantheon. However, Selene, a Titan, was eventually largely supplanted by Artemis, an Olympian; the Romans similarly deemed Luna predecessor to Diana. In the collection known as the Homeric hymns, there is a Hymn to Selene (xxxii), paired with the hymn to Helios. In it, Selene is addressed as “far-winged”, an epithet ordinarily applied to birds. Selene is mentioned in Nonnus, Dionysiaca 48.581; Pausanias 5.1.4; and Strabo 14.1.6,
The etymology of Selene is uncertain, but if the word is of Greek origin, it is likely connected to the word selas (σέλας), meaning “brightness”. Boreion Selas (Βόρειον Σέλας) is the Greek name for Aurora Borealis, the “northern lights”. In modern times, Selene is the root of selenology, the study of the geology of the Moon, and the chemical element selenium.
In post-Renaissance art, Selene is generally depicted as a beautiful woman with a pale face and long, lustrous, black hair; riding a silver chariot pulled by either a yoke of oxen, a pair of horses, or a pair of serpentine dragons. Often, she has been shown riding a horse or bull, wearing robes and a half-moon on her head and carrying a torch.
In the traditional pre-Olympian divine genealogy, Helios, the sun, is Selene’s brother: after Helios finishes his journey across the sky, Selene, freshly washed in the waters of Earth-circling Oceanus, begins her own journey as night falls upon the earth, which becomes lit from the radiance of her immortal head and golden crown. When she is increasing after mid-month, it is a “sure token and a sign to mortal men.” Her sister, Eos, is goddess of the dawn. Eos also carried off a human lover, Cephalus, which mirrors a myth of Selene and Endymion.
As a result of Selene being conflated with Artemis, later writers sometimes referred to Selene as a daughter of Zeus, like Artemis, or of Pallas the Titan. In the Homeric Hymn to Hermes, with its characteristically insistent patrilineality, she is “bright Selene, daughter of the lord Pallas, Megamedes’ son.”
Apollonius of Rhodes (4.57ff) refers to Selene, “daughter of Titan”, who “madly” loved a mortal, the handsome hunter or shepherd—or, in the version Pausanias knew, a king— of Elis, named Endymion, from Asia Minor. In other Greek references to the myth, he was so handsome that Selene asked Zeus to grant him eternal sleep so that he would stay forever young and thus would never leave her: her asking permission of Zeus reveals itself as an Olympian transformation of an older myth: Cicero (Tusculanae Disputationes) recognized that the moon goddess had acted autonomously. Alternatively, Endymion made the decision to live forever in sleep. Every night, Selene slipped down behind Mount Latmus near Miletus to visit him.
Selene had fifty daughters, the Menae, by Endymion, including Naxos, the nymph of Naxos Island. The sanctuary of Endymion at Heracleia under Latmus on the southern slope of Latmus still exists as a horseshoe-shaped chamber with an entrance hall and pillared forecourt.
Though the story of Endymion is the best-known one today, the Homeric hymn to Selene (xxxii) tells that Selene also bore to Zeus a daughter, Pandia, the “utterly shining” full moon. According to some sources, the Nemean Lion was her offspring as well. According to Virgil she also had a brief tryst with Pan, who seduced her by wrapping himself in a sheepskin and gave her the yoke of white oxen that drew the chariot in which she is represented in sculptured reliefs, with her windblown veil above her head like the arching canopy of sky. In the Homeric hymn, her chariot is drawn by long-maned horses.