Season: 3, Episodes: 1, Faction: N/A
Overview
Eloise Hawking pointed out a man wearing red shoes to Desmond as an illustration of her belief of course-correction.
 War |
 Death |
 Sky |
 Fire |
3×08 – Flashes Before Your Eyes
After revealing to Desmond that she knew about him and his future path, Ms. Hawking called attention to this bystander’s red shoes, noting that it was a “bold fashion choice worth noting.” The rest of his attire was business wear, including a black trench coat and hat with a feather.
The man was soon killed by falling scaffolding, and only his red shoes were visible protruding from the debris. Despite claiming to know this man was going to die, Ms. Hawking claimed that trying to save the man’s life would have been futile, since he would have died by other means anyway. She used this incident to re-emphasize to Desmond that his path was to go to the Island. (“Flashes Before Your Eyes”)
PF “Flyers”
The man’s shoes are PF Flyers, the shoes guaranteed to make the wearer “run faster and jump higher.” Beneath the insole of one shoe in each pair of PF Flyers produced after 2001, one may find a slip of material bearing the phrase “Sometimes a closed door is the best invitation.”
Red (Color)
The color red is strongly connected with fire.
Related Character Images
Decoded Season 2 & 3 Characters
 Desmond Hume |
 Eloise Hawking |
 Jimmy Lennon |
 Delivery Man |
Key Episode(s) to Decoding the Character
 3x08 "Flashes Before Your Eyes" |
Wiki Info
Bellerophon or Bellerophontes is a hero of Greek mythology. He was “the greatest hero and slayer of monsters, alongside of Cadmus and Perseus, before the days of Heracles“, and his greatest feat was killing the Chimera, a monster that Homer depicted with a lion’s head, a goat’s body, and a serpent’s tail: “her breath came out in terrible blasts of burning flame.”
Bellerophon’s myth
The Iliad vi.155–203 contains an embedded narrative told by Bellerophon’s grandson Glaucus, named for his great-grandfather, which recounts Bellerophon’s myth. Bellerophon was a son of the King Glaucus (“sea-green”) of Corinth and the grandson of death-cheating Sisyphus. Bellerophon’s grandsons Sarpedon and the younger Glaucus fought in the Trojan War. In the Epitome of pseudo-Apollodorus, a genealogy is given for Chrysaor (“of the golden sword”) that would make him a double of Bellerophon; he too is called the son of Glaucus the son of Sisyphus. Chrysaor has no myth save that of his birth: from the severed neck of Medusa, who was with child by Poseidon, he and Pegasus both sprang at the moment of her death. “From this moment we hear no more of Chrysaor, the rest of the tale concerning the stallion only…[who visits the spring of Pirene] perhaps also for his brother’s sake, by whom in the end he let himself be caught, the immortal horse by his mortal brother.”
Bellerophon’s brave journey began in the familiar way, with an exile: he had murdered either his brother, whose name is usually given as Deliades, or killed a shadowy “enemy”, a “Belleros” (though the details are never directly told), and in expiation of his crime arrived as a suppliant to Proetus, king in Tiryns, one of the Mycenaean strongholds of the Argolid. Proetus, by virtue of his kingship, cleansed Bellerophon of his crime. The wife of the king, whether named Anteia or Stheneboea, took a fancy to him, but when he rejected her, she accused Bellerophon of attempting to ravish her. Proetus dared not satisfy his anger by killing a guest, so he sent Bellerophon to King Iobates his father-in-law, in the plain of the River Xanthus in Lycia, bearing a sealed message in a folded tablet: “Pray remove the bearer from this world: he attempted to violate my wife, your daughter.” Before opening the tablets, Iobates feasted with Bellerophon for nine days. On reading the tablet’s message Iobates too feared the wrath of the Erinyes if he murdered a guest; so he sent Bellerophon on a mission that he deemed impossible: to kill the fire-breathing monster the Chimera, living in neighboring Caria. The Chimera was a fire-breathing monster whose make-up comprised the body of a goat, the head of a lion and the tail being a serpent. This monster had terrorized the nearby countryside. Iobates sent Bellerophon on the quest to fight the Solymi, tribesmen bent on glory. Bellerophon defeated them but not easily. He was then sent to battle the Amazons, fighting women, whom he again defeated in a tough battle most men would have lost.
Capturing Pegasus
The Lycian seer Polyeidos told Bellerophon that he would have need of Pegasus. To obtain the services of the untamed winged horse, Polyeidos told Bellerophon to sleep in the temple of Athena. While Bellerophon slept, he dreamed that Athena set a golden bridle beside him, saying “Sleepest thou, prince of the house of Aiolos? Come, take this charm for the steed and show it to the Tamer thy father as thou makest sacrifice to him of a white bull.” It was there when he awoke. Bellerophon had to approach Pegasus while it drank from a well; Polyeidos told him which well—the never-failing Pirene on the citadel of Corinth, the city of Bellerophon’s birth. Other accounts say that Athena brought Pegasus already tamed and bridled, or that Poseidon the horse-tamer, secretly the father of Bellerophon, brought Pegasus, as Pausanias understood. Bellerophon mounted his steed and flew off to where the Chimera was said to dwell.
The slaying of the Chimera
When he arrived in Lycia, the Chimera was truly ferocious, and he could not harm the monster even while riding on Pegasus. He felt the heat of the breath the Chimera expelled, and was struck with an idea. He got a large block of lead and mounted it on his spear. Then he flew head-on towards the Chimera, holding out the spear as far as he could. Before he broke off his attack, he managed to lodge the block of lead inside the Chimera’s throat. The beast’s fire-breath melted the lead, and blocked its air passage. The Chimera suffocated, and Bellerophon returned victorious to King Iobates. Iobates, on Bellerophon’s return, was unwilling to credit his story. A series of daunting further quests ensued: he was sent against the warlike Solymi and then against the Amazons who fight like men, whom Bellerophon vanquished by dropping boulders from his winged horse; when he was sent against a Carian pirate, Cheirmarrhus, an ambush failed, when Bellerophon killed all sent to assassinate him; the palace guards were sent against him, but Bellerophon called upon Poseidon, who flooded the plain of Xanthus behind Bellerophon as he approached. In defense the palace women sent him and the flood in retreat by rushing from the gates with their robes lifted high, offering themselves, to which the modest hero replied by withdrawing. Iobates relented, produced the letter, and allowed Bellerophon to marry his daughter Philonoe, the younger sister of Anteia, and shared with him half his kingdom, with fine vineyards and grain fields. The lady Philonoe bore him Isander, Hippolochus and Laodamia, who lay with Zeus the Counselor and bore Sarpedon but was slain by Artemis. However, as Bellerophon’s fame grew, so did his hubris. Bellerophon felt that because of his victory over the Chimera he deserved to fly to Mount Olympus, the realm of the gods. However, this presumption angered Zeus and he sent a gad-fly to sting the horse causing Bellerophon to fall all the way back to Earth. Pegasus completed the flight to Olympus where Zeus used him as a pack horse for his thunderbolts. On the Plain of Aleion (“Wandering”), Bellerophon, who had fallen into a thorn bush, lived out his life in misery as a blinded cripple, grieving and shunning the haunts of men.
Mythological Family Members & Associated Deities
|
SISYPHUS (Grandfather) |
GLAUCUS (Father) |
 POSEIDON |
 PERSEUS & MEDUSA |
 HERACLES |
 CHRYSAOR |
 PEGASUS |
 ATHENA |
 ZEUS |
 ARTEMIS |
Associated Greek Mythology
Wiki Info
The Chimera or Chimaera (“she-goat”) was, according to Greek mythology, a monstrous fire-breathing female creature of Lycia in Asia Minor, composed of the parts of multiple animals: upon the body of a lioness with a tail that ended in a snake’s head, the head of a goat arose on her back at the center of her spine. The Chimera was one of the offspring of Typhon and Echidna and a sibling of such monsters as Cerberus and the Lernaean Hydra. The term chimera has also come to describe any mythical animal with parts taken from various animals and, more generally, an impossible or foolish fantasy.
Homer’s brief description in the Iliad is the earliest surviving literary reference: “a thing of immortal make, not human, lion-fronted and snake behind, a goat in the middle, and snorting out the breath of the terrible flame of bright fire”. Elsewhere in the Iliad, Homer attributes the rearing of Chimaera to Amisodorus. Hesiod’s Theogony follows the Homeric description: he makes the Chimera the issue of Echidna: “She was the mother of Chimaera who breathed raging fire, a creature fearful, great, swift-footed and strong, who had three heads, one of a grim-eyed lion; in her hinderpart, a dragon; and in her middle, a goat, breathing forth a fearful blast of blazing fire. Her did Pegasus and noble Bellerophon slay” The author of the Bibliotheca concurs: descriptions agree that she breathed fire. The Chimera is generally considered to have been female (see the quotation from Hesiod above) despite the mane adorning its lion’s head, the inclusion of a close mane often was depicted on lionesses, but the ears always were visible (that does not occur with depictions of male lions). Sighting the Chimera was an omen of storms, shipwrecks, and natural disasters (particularly volcanoes).
While there are different genealogies, in one version the Chimera mated with her brother Orthrus and mothered the Sphinx and the Nemean lion (others have Orthrus and their mother, Echidna, mating; most attribute all to Typhon and Echidna).
The Chimera finally was defeated by Bellerophon, with the help of Pegasus, at the command of King Iobates of Lycia. Since Pegasus could fly, Bellerophon shot the Chimera from the air, safe from her heads and breath. A scholiast to Homer adds that he finished her off by equipping his spear with a lump of lead that melted when exposed to the Chimera’s fiery breath and consequently killed her, an image drawn from metalworking.
The Chimera was situated in foreign Lycia, but her representation in the arts was wholly Greek. An autonomous tradition, one that did not rely on the written word, was represented in the visual repertory of the Greek vase-painters. The Chimera first appears at an early stage in the proto-Corinthian pottery-painters’ repertory, providing some of the earliest identifiable mythological scenes that can be recognized in Greek art. The Corinthian type is fixed, after some early hesitation, in the 670s BCE; the variations in the pictorial representations suggest to Marilyn Low Schmitt a multiple origin. The fascination with the monstrous devolved by the end of the seventh century into a decorative Chimera-motif in Corinth, while the motif of Bellerophon on Pegasus took on a separate existence alone. A separate Attic tradition, where the goats breathe fire and the animal’s rear is serpent-like, begins with such confidence that Marilyn Low Schmitt is convinced there must be unrecognized earlier local prototypes. Two vase-painters employed the motif so consistently they are given the pseudonyms the Bellerophon Painter and the Chimaera Painter. A fire-breathing lioness was one of the earliest of solar and war deities in Ancient Egypt (representations from 3000 years prior to the Greek) and influences are feasible.
In Etruscan civilization, the Chimera appears in the “Orientalizing” period that precedes Etruscan Archaic art; that is to say, very early indeed. The Chimera appears in Etruscan wall-paintings of the fourth century BCE.
Robert Graves suggests, “The Chimera was, apparently, a calendar-symbol of the tripartite year, of which the seasonal emblems were lion, goat, and serpent.”
In Medieval art, though the Chimera of Antiquity was forgotten, chimerical figures appear as embodiments of the deceptive, even Satanic forces of raw nature. Provided with a human face and a scaly tail, as in Dante’s vision of Geryon in Inferno xvii.7–17, 25–27, hybrid monsters, more akin to the Manticore of Pliny’s Natural History (viii.90), provided iconic representations of hypocrisy and fraud well into the seventeenth century, through an emblemmatic representation in Cesare Ripa’s Iconologia.
Mythological Family Members & Associated Deities
 TYPHON |
 CERBERUS |
PEGASUS |
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