Vincent

Season: 1–6, Episodes: 43, Faction: Survivors

Overview

Vincent is Walt’s yellow Labrador retriever, and the only canine survivor of Oceanic Flight 815.

Sun (Fire)

Sky

Childbirth

Fertility (Water)

Fertility (Vegetation)

Before the crash

1×14 – Special

   

Vincent originally belonged to Brian Porter, Walt’s adoptive father. Vincent sat with Walt while he was doing his homework one day when a bird slammed into the sliding glass door, killing itself on impact. After Walt’s mother Susan died, Michael took Vincent from Brian without his permission. When Walt objected, stating that Vincent belonged to Brian, Michael told Walt that Brian gave him the dog. He did this as an act to console his son and also perhaps, out of his contempt for Brian. (“Special”)

1×23 – Exodus, Part 1

   

On the morning of September 22, 2004, Walt woke up early in their hotel room and turned the television on. Michael and Walt argued over the television volume. When Michael turned off the television, Walt grabbed Vincent and stormed out of the room. (“Exodus, Part 1”)

1×24 – Exodus, Part 2

At the airport, before the departure of Oceanic Flight 815, Walt expressed his concern at Vincent’s safety in the luggage compartment of the plane. However, Michael reassured him that dogs travel in the luggage compartment of planes all the time and told him not to worry. Therefore, Vincent was presumably in the luggage compartment of the aircraft. (“Exodus, Part 2”)

On the Island (Days 1-44)

Mobisode x13 – So It Begins

   

Shortly after the crash, Vincent was searching the jungle. Whilst doing this, he heard a whistle. It was Christian Shephard. He called Vincent over and told him to go wake up his son. As Vincent ran off towards Jack to do this, Christian stated that Jack “had work to do”.  (“So It Begins”)

1×01 – Pilot, Part 1

   

Vincent then continued running until he found Jack, who had just regained consciousness. As Jack awoke, he saw Vincent running towards him through the jungle and stopping to look at Jack. Vincent then continued exploring the jungle. (“Pilot, Part 1”)

1×02 – Pilot, Part 2

Walt spent much of his early time on the Island searching for Vincent, thus creating conflict with Michael, who wanted Walt to stay close by. When Michael mentioned Vincent to Jack, Jack revealed that the dog was fine. (“Pilot, Part 2”)

1×03 – Tabula Rasa

   

The next day, during a rainstorm, Michael and Walt were arguing. Walt told Michael that if he was his friend, he would look for Vincent. Michael replied that he hadn’t given up on looking for the dog and he would do everything to find him. This led to Michael’s promise to look for Vincent when the rain stopped. After making this promise, it immediately stopped raining. While looking, he heard something coming towards him and was unable to locate Vincent. Later on, Locke fashioned a high frequency whistle. He then used this whistle to call Vincent, who came running out of the jungle, attracted to the sound. Locke offered to let Michael bring Vincent to Walt so that Michael could reconcile with his son. Michael gave Vincent back to Walt shortly after this. (“Tabula Rasa”)

1×04 – Walkabout

   

One night on the beach, Vincent woke up the survivors with his barking. Michael and Walt didn’t know what had caused this but it was revealed to be the boars invading the camp; they were attracted to the scent of the dead corpses in the plane. (“Walkabout”)

1×14 – Special

   

When Walt would hang out with Locke and Boone, Vincent would stay with him. Vincent witnessed Walt throw his knife into the tree. However, Michael caught Walt with a knife in his hand, and he ordered Walt to take himself and Vincent away from Locke and back to the caves. Walt, along with Vincent, went back to Locke and Michael caught him again. When he told Walt that he can not see Locke, Walt stormed off into the jungle with Vincent. Whilst trekking through the jungle, Vincent detected something and started to bark. As the sound of rustling in the jungle got louder, Vincent suddenly barked madly. Walt was unable to keep hold of Vincent, and he ran away. Walt chased after him, dropping the dog’s leash in the process. When Walt got rescued by his father and Locke from a polar bear later on, Walt told Locke that Vincent had run away. However Locke assured him that he would come back, just as he did before. (“Special”)

Mobisode x08 – Buried Secrets

   

Vincent was chased by Michael in the jungle yet another time, which caused Michael to find Sun burying her fake driver’s license. When Michael tried to comfort her, they nearly kissed, but Vincent showed up barking just at that moment. (“Buried Secrets”)

1×23 – Exodus, Part 1  |  1×24 – Exodus, Part 2

   

When Walt left with Michael to seek rescue on the raft, he placed Vincent in the care of Shannon. Vincent initially tried to swim after the raft after it launched, but he shortly returned to the shore.
In the following days, Vincent served as a source of comfort and distraction for Shannon, who had recently suffered the loss of her step-brother, Boone. (“Exodus, Part 1”) (“Exodus, Part 2”)

Days 44-65

2×01 – Man of Science, Man of Faith

While the survivors hid in the caves from the Others, Vincent disappeared into the jungle. Shannon told Sayid that she couldn’t lose the dog, as it was the only thing that someone asked her to do. So Shannon and Sayid ventured in the jungle to look for him. They found Vincent sitting in the jungle. When they attempted to catch him, Vincent ran off, and Shannon ran after him. She then heard whispers and saw Walt, who disappeared when Sayid came towards her with Vincent. (“Man of Science, Man of Faith”)

2×04 – Everybody Hates Hugo

   

Sun was working in her garden when she was interrupted by Claire carrying Aaron, and Shannon with Vincent. Claire told Sun nervously that they have found the message bottle from the raft. Vincent was later seen with Sayid, Shannon and Sun during the feast. (“Everybody Hates Hugo”)

2×06 – Abandoned

   

Shannon continued caring for Vincent, right up until her sudden death. Before her second vision of Walt she fed Vincent. After Shannon saw Walt a second time, she attempted to use Vincent to track him by smelling Walt’s shirt but he led her to Boone’s grave. He then led Shannon into the jungle but ran off just before her death. (“Abandoned”)

2×08 – Collision

   

Later, Vincent returned to the beach to see Michael had returned and was reunited with him.  (“Collision”)

2×13 – The Long Con

   

Vincent was also present before Charlie attacked Sun, though he ran away before Charlie attacked her. Since he did not bark or defend her, it is likely that if he was still in the area, he recognized Charlie and did not see any reason for alarm. (“The Long Con”)

2×13 – The Long Con  |  2×15 – Maternity Leave  |  2×19 – S.O.S.

   

When Michael disappeared into the jungle to look for Walt, Vincent befriended Ana Lucia after she joined the fuselage survivors. His friendship with Ana Lucia was short-lived, as Michael murdered Ana Lucia not long after his return. Vincent befriended many of the island regulars and has ceased to have a single, identifiable “owner.” He was seen with Sawyer, who was feeding him and petting him. As well as Hurley and Libby, who were also seen playing with him. (“The Long Con”)  (“Maternity Leave”)  (“S.O.S.”)

2×22 – Three Minutes

   

While Charlie struggled to build the church, Vincent approached with a Virgin Mary statue in his mouth, dropping it at Charlie’s feet. Charlie took the statue and followed Vincent to Sawyer’s tent, where Charlie discovered the other Virgin Mary statues. He took them all and threw them in the ocean. (“Three Minutes”)

Images Source | Images SourceImages Source | Image SourceSource  

Continue Reading

Wally Bolé

“Wally Bolé” is an anagram for “Yellow Lab“.

Dr. Vincent “Wally” Bolé, a character from the storyline of The Lost Experience alternate reality game, was born 1938 and is an expert in the field of canine parapsychology and neuroveterinary medicine at La Ville Du Chien Jaune Université (literally translates as: “The City of the Yellow Dog University), outside of Troisvierges, Luxembourg.

He currently appears to be the head of the Retrievers of Truth Institute for the Advancement and Research into the Mental Abilities of Yellow Labrador Retrievers.

Dr. “Wally”‘s image appears to be a photoshopped image of Steven Spielberg (‘Close Encounters of the Third Kind’, ‘E.T.’, ‘War of the Worlds’) and George Lucas (Star Wars).

Image & Source 

Retrievers of Truth (Website)


Image Source

Decoded Family Members

Brian Porter (Former Owner)

Walt Lloyd (Former Owner)

Michael Dawson

Shannon Rutherford (Former Owner)

Rose Nadler (Owner)

Bernard Nadler (Owner)

Decoded Season 1 Characters

Sun-Hwa Kwon

John Locke

Hurley Reyes

Claire Littleton

James Sawyer

Decoded Season 4 Characters

Christian Shephard

Decoded Season 5 Characters

Neil "Frogurt"

Jacob

Ilana Verdansky

Key Episode(s) to Decoding the Character

1x04 "Walkabout"

2x04 "Everybody Hates Hugo"

5x02 "The Lie"

5x16 "The Incident, Part 1"

6x17 "The End"









The term aten refers to the actual physical disk of the sun. The Egyptians were perfectly capable of distinguishing between the God associated with a certain physical phenomenon and that phenomenon itself. Thus Re is a solar God, but can be distinguished from the actual disk of the sun; Nut is a sky Goddess, but can be distinguished from the sky (pet). The Aten was aggressively promoted by Akhenaten as the sole deity, in relation to which Akhenaten was apparently to be regarded as the privileged intermediary for the rest of the universe. Akhenaten built his Aten theology on the existing foundations of the theology which had developed around solar deities and which expressed a recognition of the supremacy of the sun in the system of the cosmos and thus the capacity of the sun as a symbol to represent the order of the cosmos and therefore its unity and totality. Akhenaten’s new theology eliminated the particular Gods with whom this theology had been identified, leaving only the abstract symbol of the Aten as a focus of worship upon which personal qualities of, e.g., benevolence, were superimposed. These qualities are, as it were, inferred from the overall characteristics of the sun’s relationship to all the other elements in the cosmos. In support of his new ideology Akhenaten attempted to suppress the worship of all other Gods, but after Akhenaten’s death he and his Aten cult were repudiated. The Aten is invoked, alongside Re, in a spell to speed up childbirth (no. 63 in Borghouts), presumably because the passage of the sun’s disk across the sky marks the passage of time; the spell thus, in a sense, seeks to speed up time. The feminine form of the word, atenet, is a common epithet of Goddesses exercising a cosmic providence, as in a text from the Sokar chapel at Dendera where Nephthys is invoked as “atenet who ordains that which comes to be,” (Dend. II, 149).

Source


Further Info

The mythology of the Aten, the radiant disk of the sun, is not only unique in Egyptian history, but is also one of the most complex and controversial aspects of Ancient Egypt.  The ancient Egyptian term for the disk of the sun was Aten, which is first evidenced during the Middle Kingdom, though of course solar worship begins much earlier in Egyptian history. It should be noted however that this term initially could be applied to any disk, including even the surface of a mirror or the moon. The term was used in the Coffin Texts to denote the sun disk, but in the ‘Story of Sinuhe’ dating from the Middle Kingdom, the word is used with the determinative for god (Papyrus Berlin 10499).  In that story, Amenemhat I is described as soaring into the sky and uniting with Aten his creator.

Text written during the New Kingdom’s 18th Dynasty frequently use the term to mean “throne” or “place” of the sun god. The word Aten was written using the hieroglyphic sign for “god” because the Egyptians tended to personify certain expressions. Eventually, the Aten was conceived as a direct manifestation of the sun god.

Though the Aten became particularly important during the New Kingdom reigns of Tuthmosis IV and Amenhotep III, mostly sole credit for the actual origin of the deity Aten must be credited to Amenhotep IV (Akhenaten). Even at the beginning of the New Kingdom, it’s founder,  Ahmose, is flattered on a stela by being likened to “Aten when he shines”. His successor, Amenhotep I, becomes in death “united with Aten, coalescing with the one from whom he had come”. Tuthmosis I was portrayed in his temple at Tombos in Nubia wearing the sun disk and followed by the hieroglyphic sign for ‘god’. Hatshepsut used the term on her standing obelisk in the temple of Karnak to denote the astronomical concept of the disk, though it was actually during the reign of Amenhotep II that the earliest iconography of Aten appears on a monument at Giza as a winged sun disk (though this was a manifestation of Re) with outstretched arms grasping the cartouche of the pharaoh.

Later, Tuthmosis IV issues a commemorative scarab on which the Aten functions as a god of war (a role usually reserved for Amun) protecting the pharaoh. Amenhotep III seems to have actively encouraged the worship of Aten, stressing solar worship in many of his extensive building works. In fact, one of that king’s epithets was Tjekhen-Aten, or ‘radiance of Aten’, a term which was also used in several other contexts during his reign. During the reign of Amenhotep III, there is evidence for a priesthood of Aten at Heliopolis, which was the traditional center for the worship of the sun god Re, and he also incorporated references to the Aten in the names he gave to his palace at Malkata (known as ‘splendor of Aten’), a division of his army and even to a pleasure boat called ‘Aten glitters’. Also, several officials of his reign bore titles connecting them with the Aten cult, such as Hatiay, who was ‘scribe of the two granaries of the Temple of Aten in Memphis. and a certain Ramose (not the vizier) who was ‘steward of the mansion of the Aten’. The latter was even depicted with his wife going to view the sun disk.

Prior to Amenhotep IV, the sun disk could be a symbol in which major gods appear and so we find such phrases as “Atum who is in his disk (‘aten’). However, from there it is only a small leap for the disk itself to become a god.

It was Amenhotep IV who first initiated the appearance of the true god, Aten, by formulating a didactic name for him. Hence, in the early years of Amenhotep IV’s reign, the sun god Re-Horakhty, traditionally depicted with a hawk’s head, became identical to Aten, who was now worshipped as a god, rather than as an object associated with the sun god. Hence, prior to Akhenaten, we speak of The Aten, while afterwards it is the god Aten. Initially, Aten’s relationship with other gods was very complex and it should even be mentioned that some Egyptologists have suggested that Amenhotep IV may have equated Aten to his own father, Amenhotep III. Others have suggested that, rather than true monotheism, the cult of Aten was a form of henotheism, in which one god was effectively elevated above many others, though this certainly does not seem to be the case later during the Amarna period.

To honor his new god, Amenhotep IV constructed an enormous temple east of the Great Temple of Amun at Karnak during the third year of his reign. The temple included pillared courts with striking colossal statues of the king and at least three sanctuaries, one of which was called the Hwt-benben (‘mansion of the Benben’). This emphasized the relationship between Aten and the sun cult of Heliopolis. The Benben symbolized the primeval mound on which the sun god emerged from Nun to create the universe. One section of the temple appears to have been the domain of Nefertiti, Amenhotep IV’s principal wife and in one scene, she is pictured together with two daughters, but excluding her husband, worshipping below the sun disk.

Artistically, this temple at Karnak was even decorated in a novel “expressionistic” style that broke with previous tradition and  would soon influence the representation of all figures. Perhaps nowhere is this artistic style more evident then in the tomb Amenhotep IV’s vizier, Ramose. Most of the tomb’s decoration consists of fine low reliefs carved during the last years of Amenhotep III reign in a congenital Theban style, but on the rear wall of the pillared tomb is a mixture of traditional design and the startling developments in art made by Akhenaten. This new artistic style was to usher in to Egypt considerable religious upheaval.

Amenhotep IV, who would change his name to Akhenaten to reflect Aten’s importance, first replaced the state god Amun with his newly interpreted god. The hawk-headed figure of Re-Horakhty-Aten was then abandoned in favor of the iconography of the solar disk, which was now depicted as an orb with a uraeus at its base emitting rays that ended in human hands either left open or holding ankh signs that gave “life” to the nose of both the king and the Great Royal Wife, Nefertiti. It should however be noted that this iconography actually predates Amenhotep IV with some examples from the reign of Amenhotep II, though now it became the sole manner in which Aten was depicted.

Both are receiving “life” from the Aten, Aten was now considered the sole, ruling deity and thus received a royal titulary, inscribed like royal names in two oval cartouches. As such, Aten now celebrated its own royal jubilees (Sed-festivals). Thus, the ideology of kingship and the realm of religious cult were blurred.

The Aten’s didactic name became “the living One, Re-Harakhty who rejoices on the horizon, in his name (identity) which is Illumination (‘Shu, god of the space between earth and sky and of the light that fills that space’) which is from the solar orb.”

This designation changes everything theologically in Egypt. The traditions Egyptians had adopted since the earliest times no longer applied. According to Akhenaten, Re and the sun gods Khepri, Horakhty and Atum could no longer be accepted as manifestations of the sun. The concept of the new god was not so much the sun disk, but rather the life giving illumination of the sun. To make this distinction, his name would be more correctly pronounced, “Yati(n)”.

Aten was now the king of kings, needing no goddess as a companion and having no enemies who could threaten him. In effect, this worship of Aten was not a sudden innovation on the part of one king, but the climax of a religious quest among Egyptians for a benign god limitless in power and manifest in all countries and natural phenomena.

After Aten ascended to the top of the pantheon, most of the old gods retained their positions at first, though that would soon change as well. Gods of the dead such as Osiris and Soker were several of the first to vanish from the Egyptian religious front.

In fact, step by step, Amenhotep IV perused his new found religious reformation in what Egyptologists have more and more seen as a rational plan. In year six of his reign, Amenhotep IV became weary of Thebes and the old powerful Amun priesthood, and thus founded a new capital city in the desert valley area we now call el-Amarna (ancient Akhetaten) somewhat north of the old capital in Middle Egypt. Amenhotep IV mentions on two stelae that the priests were saying more evil things about him than they did about his father and grandfather, so from this we learn that there must have been a conflict that dated back at least to the reign of Tuthmosis IV. Luckily for the king, however, the priesthood was apparently not strong enough to curb a pharaoh’s inclinations at this point in time.

There, in his new capital of Akhetaten (‘horizon of Aten’), Aten could be worshipped without any consideration of other deities. Thus he built both a Great Aten temple in the city as well as a smaller royal temple that could have likely also been his mortuary temple. Both were unique, having a novel architectural plan emphasizing open access to the sun rather than the traditional darkness of Egyptian shrines. Outside of Akhetaten, there appears to have also been temples dedicated to Aten at Memphis, at Sesebi in Nubia, and perhaps elsewhere during at least part of Akhenaten’s reign.

Around the time Akhetaten was founded, Amenhotep IV changed his own royal titulary to reflect the Aten’s reign, but perhaps more remarkably, he actually changed his own birth name from Amenhotep, which may be translated as “Amun is content”, to Akhenaten, meaning “he who is beneficial to the Aten” or “illuminated manifestation of Aten”. Afterwards, the king proceeded to emphasize Aten’s singular nature above all other gods through excessively preferential treatment. Ultimately, he suppressed all other deities. However, it is interesting that Akhenaten retained in his new titulary all references to the sun god Re. In his prenomen there is ‘Neferkheprure’ (Beautiful are the manifestations of Re) and ‘Waenre’ (Sole one of Re). George Hart in his Dictionary of Egyptian Gods and Goddess tells us that Aten was:

“..really the god Re absorbed under the iconography of the sun disk.

The eminence of Aten is a renewal of the kingship of Re as it had been during its apogee over

a thousand years earlier under the monarchs of the 5th Dynasty.”

However, it is really doubtful that such a simple statement can be made, for in reality, Aten took on many characteristics alien to Re. Re did not function in a vacuum of gods and goddesses. Yet there remained cloudy associations with Re even as Akhenaten moved into his new capital. There, accommodations were made for the burial of a Mnevisl, which was the sacred bull of Re. Furthermore, the king’s last two daughters were named Nefernefrure and Setepenre, both incorporating Re into their names.

But indeed, Akhenaten’s new creed could be summed up by the formula, “There is no god but Aten, and Akhenaten is his prophet”. The hymn known as the “Sun Hymn of Akhetaten” offers some theological insight into this newly evolved god. We find this hymn, which may have been composed by the king himself, in the tomb of the courtier Ay, who later succeeded King Tutankhamun. Scholars have noted a similarity between the hymn and Biblical Psalm 104, although the distinct parallels between the two are usually interpreted simply as indications of the common literary heritage of Egypt and Israel.

Inscribed in thirteen long lines, the essential part of the poem is a hymn of praise for Aten as the creator and preserver of the world. Within it, there are no allusions to traditional mythical concepts, since the names of other gods are absent. In this hymn, no longer are night and death the realm of gods such as Osiris and various other deities, as in traditional Egyptian religion, but are rather briefly dealt with as the absence of Aten. Hence, it should be noted that, unlike other supreme gods of Egypt, Aten did not always absorb the attributes of other gods. His nature was entirely different.

The hymn abounds with descriptions of nature and with the position of the king in the new religion. Irregardless of the existence of a priesthood devoted to Aten, only to Akhenaten had the god revealed itself, and only the king could know the demands and commandments of Aten, a god who remained distant and incomprehensible to the general populace. In fact, the priesthood may not have served so much Aten as they did Akhenaten. The high priest of the Aten was actually called the priest of Akhenaten, indicating not only the elevated position of the king in this theology, but also the effective barrier that he formed between even his priests and the god Aten.

However, while the hymn seems to provide exclusive rights to the Aten only to the king, his family appears to have been included within this inner circle. The new myths of the religion were filled with the ruler’s family history and it is not surprising that the faithful of the Amarna period prayed in front of private cult stelae that depicted the royal “holy” family.

Yet, Aten was not a god of the people during the reign of Akhenaten. Far from it, in fact, considering that Egyptian religion had become more democratized around the god, Osiris. Aten had to be forced on the Egyptian people, and outside of Akhetaten (and really even there) and the official state religion, Aten never replaced all the traditional Egyptian gods.  In effect, among the common Egyptians, if anything, the situation created a religious vacuum which was unstable from the beginning. And while it is clear that the elite of Akhetaten certainly paid respect to Aten, there is no real evidence for personal individual worship of the god on the part of the ordinary Egyptians whose only access to the god was through the medium of the king. On the contrary, at even the workers village in eastern Amarna, there has been unearthed numerous amulets of traditional gods, as well as some small private chapels probably dedicated to ancestor worship but showing no traces of the official religion.

Around the ninth year of of Akhenaten’s reign, the name of the god Aten was once more changed. Now, all mention of Horakhty and Shu disappeared. Horakhty was replaced by the phrase, “Ruler of the Horizon”. No longer was the hawk form of the god acceptable and this image was definitively replaced with new iconography and a purer form of monotheism was introduced. Now, Aten became “the Living One, Sun, Ruler of the Horizon, who rejoices on the horizon in his name, which is Sunlight, which comes from the disk”.

Right: The later, more restricted form of the Aten’s twin royal cartouches Akhenaten’s new religion, which inaugurated theocracy and systematic monotheism, manifest itself with two central themes surrounding light and the king. It was probably after the god’s final name change that Akhenaten ordered the closure of the temples dedicated to all other gods in Egypt. Not only were these temples closed, but in order to extinguish the memory of these gods as much as possible, a veritable persecution took place. Literal armies of stonemasons were sent out all over the land and even into Nubia, above all else, to hack away the image and name of the god Amun.

However, even the plural form of the word god was avoided, and so other gods were persecuted as well. Yet by this time, the Amarna period had already reached the beginning of its end. Soon after the death of Akhenaten, his capital was dismantled, as was his religion. Aten was removed from the Egyptian pantheon, and Akhenaten as well as his family and religion, were now the focus of prosecution. Their monuments were destroyed, together with related inscriptions and images. While the Aten did continue to be worshipped for some period after Akhenaten’s death, the god soon fell into obscurity.

Image Source | Images Source | Image SourceSource


Wiki Info

Aten (also Aton, Egyptian jtn) the disk of the sun in ancient Egyptian mythology, and originally an aspect of Ra.

He became the focused upon deity of the arguably monolatristic, henotheistic, or even monistic religion of Atenism established by Amenhotep IV, who later took the name Akhenaten in worship and recognition of Aten. In his poem “Great Hymn to the Aten”, Akhenaten praises Aten as the creator, and giver of life. Some scholars have speculated that Psalm 104 may have been influenced by this hymn.

The worship of Aten was eradicated by Horemheb possibly as a damnation of memory against Ay whom he replaced as pharoah.

Overview

The full title of Akhenaten’s god was The Rahorus who rejoices in the horizon, in his/her Name of the Light which is seen in the sun disc. (This is the title of the god as it appears on the numerous stelae which were placed to mark the boundaries of Akhenaten’s new capital at Akhetaten, modern Amarna.) This lengthy name was often shortened to Ra-Horus-Aten or just Aten in many texts, but the god of Akhenaten raised to supremacy is considered a synthesis of very ancient gods viewed in a new and different way.

Both Ra and Horus characteristics are part of the god, but the god is also considered to be both masculine and feminine simultaneously. All creation was thought to emanate from the god and to exist within the god. In particular, the god was not depicted in anthropomorphic (human) form, but as rays of light extending from the sun’s disk. Furthermore, the god’s name came to be written within a cartouche, along with the titles normally given to a Pharaoh, another break with ancient tradition.

The Aten, the sun-disk, first appears in texts dating to the 12th dynasty, in The Story of Sinuhe, where the deceased king is described as rising as god to the heavens and uniting with the sun-disk, the divine body merging with its maker.

Ra-Horus, more usually referred to as Ra-Herakhty (Ra, who is Horus of the two horizons), is a synthesis of two other gods, both of which are attested from very early on. During the Amarna period, this synthesis was seen as the invisible source of energy of the sun god, of which the visible manifestation was the Aten, the solar disk. Thus Ra-Horus-Aten was a development of old ideas which came gradually. The real change, as some see it, was the apparent abandonment of all other gods, above all Amun, and the debatable introduction of monotheism by Akhenaten. The syncretism is readily apparent in the Great Hymn to the Aten in which Re-Herakhty, Shu and Aten are merged into the creator god. Others see Akhenaten as a practitioner of an Aten monolatry, as he did not actively deny the existence of other gods; he simply refrained from worshipping any but the Aten.

Royal Titulary

During the Amarna Period, the Aten was given a Royal Titulary (as he was considered to be king of all), with his names drawn in a cartouche. There were two forms of this title, the first had the names of other gods, and the second later one which was more ‘singular’ and referred only to the Aten himself. The early form has Re-Horakhti who rejoices in the Horizon, in his name Shu which is the Aten. The later form has Re, ruler of the two horizons who rejoices in the Horizon, in his name of light which is the Aten.

Variant Translations

  • Because high relief and low relief illustrations of the Aten show it with a curved surface, the late scholar Hugh Nibley insisted that a more correct translation would be globe, orb or sphere, rather than disk. The three-dimensional spherical shape of the Aten is even more evident when such reliefs are viewed in person, rather than merely in photographs.
  • There is a possibility that Aten’s three-dimensional spherical shape depicts an eye of Horus/Ra. In the other early monotheistic religion Zoroastrianism the sun is called Ahura Mazda’s eye.
  • These two theories are compatible with each other, since an eye is an orb.

Names from the Aten

  • Akhenaten: “Effective spirit of the Aten.”
  • Akhetaten: “Horizon of the Aten,” Akhenaten’s capital. The archaeological site is known as Amarna.
  • Ankhesenpaaten: “Her life is of the Aten.”
  • Beketaten: “Handmaid of the Aten.”
  • Meritaten: “She who is beloved of the Aten.”
  • Meketaten: “Behold the Aten” or “Protected by Aten.”
  • Neferneferuaten: “The most beautiful one of Aten.”
  • Paatenemheb: “The Aten on jubilee.”
  • Tutankhaten: “Living image of the Aten.” Original name of Tutankhamun.

Images SourceSource 

Mythological Family Members & Associated Deities

RA

KHEPRI

NUT

SEKER

OSIRIS

HORUS

SHU

AMUN

NEPHTHYS


%d bloggers like this: